Today in the mail,
I received the most beautiful book sewn by Karen Ruane. Before I show you the book, look at the wonderful detail in the packaging.
String. It has been decades since I received a package tied with string. How lovely.
The book had been placed inside a box covered with butterflies.
Then inside a cotton a broder slip cover.
.
Finally the book.
Beautiful page,
after beautiful page.
Then some more beautiful pages.
I am so excited to have this book of Karen's. I can't wait to show my friends and to leaf through this over and over again.
“Use what talents you possess; the woods would be very silent if no birds sang there except those that sang best.” Henry van Dyke
Showing posts with label karen ruane. Show all posts
Showing posts with label karen ruane. Show all posts
Monday, April 17, 2017
Monday, January 16, 2017
Embroidery School
Classes have begun again with Karen Ruane (here) for most of the winter months. This session, we will be watching Karen as she figures out what's what on her studio table. She'll be stitching, making journal pages and preparing for a class she has offered in London in the spring (it's full). The beauty of this class, is that there aren't any expectations. We can work on our own projects or we can mimic whatever Karen is up to.
A fun idea for appliqued hexagons was one of last week's projects along with a trick with bullion knots. I have set aside some white and blue/white fabric to play with while watching the videos.
I have also pulled out my wandering threads sampler and added the hexagon idea.
The second hexagon is a lot better than the blue and white one. I figured out how to cut the inner hexagon with more accuracy from the backside of the fabric. I'm keeping it short this week, sick husband trying not to sneeze all over the house means having to clean the entire house as he wanders through, because he has terrible aim. I have not reduced my behaviour to crawling after him in the pursuit of germs, but have instead wrapped my entire head in shower caps with breathing holes in the back of my head. It might work but it sure is hard to keep my glasses on.
A fun idea for appliqued hexagons was one of last week's projects along with a trick with bullion knots. I have set aside some white and blue/white fabric to play with while watching the videos.
I have also pulled out my wandering threads sampler and added the hexagon idea.
The second hexagon is a lot better than the blue and white one. I figured out how to cut the inner hexagon with more accuracy from the backside of the fabric. I'm keeping it short this week, sick husband trying not to sneeze all over the house means having to clean the entire house as he wanders through, because he has terrible aim. I have not reduced my behaviour to crawling after him in the pursuit of germs, but have instead wrapped my entire head in shower caps with breathing holes in the back of my head. It might work but it sure is hard to keep my glasses on.
Labels:
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studio work
Monday, January 9, 2017
Stalled in First
There's too much cleaning and organizing going on here. All my projects to start the year off are in neat little piles with the threads, textiles and notes.
All these blank pages. It is much too neat.
Normally, there is a huge mess on the floor and I step over it and mix things around and then pick things out and put them in a pile and then do it again. Eventually, I get a few main ingredients sorted and then the stitching begins. This pile has been growing incrementally over the fall and the messy process has taken place over a long time.
The first step hasn't been missed, but altered. So instead of having several messy piles, I have calmly found containers and even rearranged a shelf so projects can be neatly stored away when not in my hands.
Sheesh, it feels too administered, too closed down for improvisation. Knowing me, I'll kick out against it and toss things into a heap again.
All these neat little baskets and bowls are making it hard to begin though. Which one to start with, which one to put aside for a few weeks.
They feel equally important and not important.
I decided to begin with the orange and red colour palette.
Being winter, it helps to have a good brisk colour in my hands and by the time the spring comes, I'll be ready for some blues and greens and can move on to that project. I have been excited by the prospect of the two pillowslip edges and that is also started now. Today is the first day of a new Karen Ruane class, and I have watched the first day's videos.
I have pulled out a few fabrics I knew I would want for this class and prepared them. I believe this class will be mostly about stitching and embellishment.(here) Go to her shop for more information. Karen has figured out a few new approaches to embellishment and I am looking forward to once again stitching while watching her videos.
All these blank pages. It is much too neat.
Normally, there is a huge mess on the floor and I step over it and mix things around and then pick things out and put them in a pile and then do it again. Eventually, I get a few main ingredients sorted and then the stitching begins. This pile has been growing incrementally over the fall and the messy process has taken place over a long time.
The first step hasn't been missed, but altered. So instead of having several messy piles, I have calmly found containers and even rearranged a shelf so projects can be neatly stored away when not in my hands.
Sheesh, it feels too administered, too closed down for improvisation. Knowing me, I'll kick out against it and toss things into a heap again.
All these neat little baskets and bowls are making it hard to begin though. Which one to start with, which one to put aside for a few weeks.
They feel equally important and not important.
I decided to begin with the orange and red colour palette.
Being winter, it helps to have a good brisk colour in my hands and by the time the spring comes, I'll be ready for some blues and greens and can move on to that project. I have been excited by the prospect of the two pillowslip edges and that is also started now. Today is the first day of a new Karen Ruane class, and I have watched the first day's videos.
I have pulled out a few fabrics I knew I would want for this class and prepared them. I believe this class will be mostly about stitching and embellishment.(here) Go to her shop for more information. Karen has figured out a few new approaches to embellishment and I am looking forward to once again stitching while watching her videos.
Labels:
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Wednesday, October 12, 2016
sewing machine power house
It has taken an extra day to write the post I promised, because no sooner did the cider hit my hand then the power went out. Lucky for us the dinner was nigh unto cooked. After dinner, to make things really exciting, 7 police cars, including two paddy wagons pulled up outside the house. It seemed that a break-in was in progress across the street. A sniffer dog even showed up. The torrential rains had finished and there was debris everywhere on the street. I think Haligonians (Halifaxians) have a fascination with "what caused the power to go out" and there were people "walking the dog" up and down the sidewalk numerous times. Since we had a front window view, we merely opened the curtains, sipped our cider and speculated wildly. For us, it was a fun Thanksgiving and better than a family movie.
I am back to sewing clothes on the weekends and have a few things to show.
I wanted a bright shirt type item to wear in the dreary months of winter when for some reason, Canadians insist on wearing dark life sucking colours. I wanted turquoise and coral. I can wear this over jeans or my jean skirt. I have already worn it a few times and really like how it fits. I made an orange/red t-shirt to wear underneath and boy, do the colors slam home.
I've begun a cute little table topper for someone special. It is done and about to be given, so more on that next post.
I have also made a black knit slip and two wrap around sheer skirt. This one has autumn colours of red and gold and the other,
are in blues. They are very swishy. This is all part of my goal to get several patterns that fit well and can be reused, so as to increase my purchasing of local clothes. This makes three uses for this pattern. I was seriously unhappy with the winter selection of fabrics at the local big fabric store, everything seemed to have polyester content, spandex and lycra. Torn between wanting to support the only remaining textile shop for clothing and hating their choices, I am moving to finding online options. Not local but maybe more environmentally sound? Time will tell.
Studio projects continue. Several months ago I began a small project while in one of Karen Ruane's classes. I decided to make small patches of mauves and purples, especially the colour 'lilac' to eventually make a larger container for letters I continue to write to my Grandmother-in-law, Grammy.
All the patches have been hand sewn and are now ready for titivation.
I'll use mostly white threads and because this is also about me, some blues and greens to spark it up a little.
I have received some lovely buttons from a dear friend,
and will add those as the titivation goes along. I think these will be sewn together in an accordion booklet format, so the pockets can hold the letters that can no longer be sent.
I have also just received these beautiful lace pillow edges and a hand embellished hanky.
The florets are sort of a thistle shape but the stem and arrangement suggests lupins or lavender. It is very pretty and delicate.
And last, I was also given these sweet finger towels. The cotton is very fine and the stitching very small. They are much smaller than today's hand towels or guest towels. A tip of the finger kind of ablution could only take place. Thank you, you know who.
I am back to sewing clothes on the weekends and have a few things to show.
I wanted a bright shirt type item to wear in the dreary months of winter when for some reason, Canadians insist on wearing dark life sucking colours. I wanted turquoise and coral. I can wear this over jeans or my jean skirt. I have already worn it a few times and really like how it fits. I made an orange/red t-shirt to wear underneath and boy, do the colors slam home.
I've begun a cute little table topper for someone special. It is done and about to be given, so more on that next post.
I have also made a black knit slip and two wrap around sheer skirt. This one has autumn colours of red and gold and the other,
are in blues. They are very swishy. This is all part of my goal to get several patterns that fit well and can be reused, so as to increase my purchasing of local clothes. This makes three uses for this pattern. I was seriously unhappy with the winter selection of fabrics at the local big fabric store, everything seemed to have polyester content, spandex and lycra. Torn between wanting to support the only remaining textile shop for clothing and hating their choices, I am moving to finding online options. Not local but maybe more environmentally sound? Time will tell.
Studio projects continue. Several months ago I began a small project while in one of Karen Ruane's classes. I decided to make small patches of mauves and purples, especially the colour 'lilac' to eventually make a larger container for letters I continue to write to my Grandmother-in-law, Grammy.
I'll use mostly white threads and because this is also about me, some blues and greens to spark it up a little.
I have received some lovely buttons from a dear friend,
and will add those as the titivation goes along. I think these will be sewn together in an accordion booklet format, so the pockets can hold the letters that can no longer be sent.
I have also just received these beautiful lace pillow edges and a hand embellished hanky.
The florets are sort of a thistle shape but the stem and arrangement suggests lupins or lavender. It is very pretty and delicate.
And last, I was also given these sweet finger towels. The cotton is very fine and the stitching very small. They are much smaller than today's hand towels or guest towels. A tip of the finger kind of ablution could only take place. Thank you, you know who.
Labels:
karen ruane,
sewing,
stitch,
stitching,
studio,
studio work
Tuesday, May 24, 2016
Stitching a Story three and sticks
Every spring and summer I attempt seeds. It is usually a disaster, but this year, I think I might have sorted things out. That includes a beautiful tin to hold my unused seeds in. More importantly, I bought those stick things that you can write on to tell you what seeds are in what pots and when they were planted. Important why? Because I am usually flailing around finding little pots and fine enough soil and other sorts of dithering to label the seed pots. I have used the seed packets and taped them to the pots or stuck them in, or other irresponsible things. They get wet, I can't read the packaging after a few days, they fall off, or blow away and the seeds don't sprout anyways. This year, those little sticks were properly labeled, unused seeds remain dry for a second sowing, and low and behold, there are actual seedlings for a change. What a brilliant idea, those sticks.
On the back side of the first page, I managed to get the stitches to be more or less upright. The back of the French Knots have been left long to make tufts out of the knots. There is a red bead on the muffin for the gull to find.
The green ruffle was a rectangle embroidered with lazy daisy flowers, sewn into a tube and turned right side out. The top edge has been caught down with small running stitches to get the curves to work. The daughter's ruffle has a couple French Knots to anchor each end.
Mama's ruffle is made the way a usual ruffle is, stitched down and then the orange chain stitch added at the end. That was a bit tricky as far as keeping the hands from banging the page up, but it is a short run of sewing and I kept it very much on the surface.
Here I am working on letters. The purple is meant to be the back ground, the piece of paper napkin the foreground. It was tricky to get the napkin paper trimmed to fit inside the purple edges. Very fussy.
It turned out the paper napkin was three plys of paper. Every thing was nicely glued down, then cut out, then as I was gluing it to the page, the coloured bits peeled off. More gluing.
Kunik means kissing on the nose in Inuktitut.
For those of you interested in our bees, the hive has been moved to a dryer sunnier spot beside the garage. Michelle is showing new to bee-keeping Nick, how to move the compartments around when there are gadzillion bees on them and flying around.
Michelle has added a decorative feature at the bottom of the hive, a turquoise base. Too bad about the concrete blocks, but this is a working hive, not a garden feature. But when I sit outside with a cup of tea or a beer, I just love watching these bees do their thing.
Below, Rosie's Hat continues to be stitched. I've added some red beads to her hat and some red threads to blow in the wind. At her feet are some enhanced flowers and yellow gestural stitches.
On the back side of the first page, I managed to get the stitches to be more or less upright. The back of the French Knots have been left long to make tufts out of the knots. There is a red bead on the muffin for the gull to find.
Mama do you love me is coming along with more intense titivation.
Here, Mama and daughter have had their skirts enhanced with ruffles and
embroidery.
The green ruffle was a rectangle embroidered with lazy daisy flowers, sewn into a tube and turned right side out. The top edge has been caught down with small running stitches to get the curves to work. The daughter's ruffle has a couple French Knots to anchor each end.
Mama's ruffle is made the way a usual ruffle is, stitched down and then the orange chain stitch added at the end. That was a bit tricky as far as keeping the hands from banging the page up, but it is a short run of sewing and I kept it very much on the surface.
Here I am working on letters. The purple is meant to be the back ground, the piece of paper napkin the foreground. It was tricky to get the napkin paper trimmed to fit inside the purple edges. Very fussy.
It turned out the paper napkin was three plys of paper. Every thing was nicely glued down, then cut out, then as I was gluing it to the page, the coloured bits peeled off. More gluing.
Kunik means kissing on the nose in Inuktitut.
For those of you interested in our bees, the hive has been moved to a dryer sunnier spot beside the garage. Michelle is showing new to bee-keeping Nick, how to move the compartments around when there are gadzillion bees on them and flying around.
Michelle has added a decorative feature at the bottom of the hive, a turquoise base. Too bad about the concrete blocks, but this is a working hive, not a garden feature. But when I sit outside with a cup of tea or a beer, I just love watching these bees do their thing.
Labels:
books,
Karen,
karen ruane,
stitch,
stitching,
studio,
studio work
Tuesday, May 10, 2016
Stitch a Story two
But let's get personal for a moment.
I have a bee helmet. When it is not being used for preventing Bees from getting in my neck, it can be used to pretend I am an Edwardian woman on Safari. I am feeling a bit German with my Capitalization right now.
The owner of the bees in our backyard bought this for us because I mentioned I might have to borrow hers when I had to do the weeding in the garden around the bee hive. I wasn't expecting this gift and it is crazy. I keep forgetting I have it on.
Blowing one's nose with a huge net in front of one's face is a bit acrobatic. I am pretty sure drinking beer or wine is impossible with one of these on. Will it prepare me for the fantasy of traveling to the Delta region of Botswana? I feel the need for a hippo statue to make sure.
Seriously though, back to studio work. We continue to pursue fooling around with altering books. Here are a bunch of images for your enjoyment. We are adding stenciled text to the pages. I have used Gesso as an under surface before adding markers or Inktense watercolour pencils to adorn each letter.
I have a bee helmet. When it is not being used for preventing Bees from getting in my neck, it can be used to pretend I am an Edwardian woman on Safari. I am feeling a bit German with my Capitalization right now.
The owner of the bees in our backyard bought this for us because I mentioned I might have to borrow hers when I had to do the weeding in the garden around the bee hive. I wasn't expecting this gift and it is crazy. I keep forgetting I have it on.
Blowing one's nose with a huge net in front of one's face is a bit acrobatic. I am pretty sure drinking beer or wine is impossible with one of these on. Will it prepare me for the fantasy of traveling to the Delta region of Botswana? I feel the need for a hippo statue to make sure.
Seriously though, back to studio work. We continue to pursue fooling around with altering books. Here are a bunch of images for your enjoyment. We are adding stenciled text to the pages. I have used Gesso as an under surface before adding markers or Inktense watercolour pencils to adorn each letter.
| Qujjuk means whale. Unfortunately, the one "J" on the left turned into a candy cane. I wasn't looking for that to happen and it is a bit disappointing. But this stenciling business is kind of fun. |
Labels:
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karen ruane,
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Tuesday, May 3, 2016
Stitch a Story
Karen Ruane's course (here) Stitching a Story began yesterday and it looks like fun. I've signed up and enjoyed the first videos. Karen's site has good photos and descriptions.
Each of has chosen a book or two that have interesting images to play with. I have chosen two children's books, Mama, do you Love me? by Barbara M. Joose. The story line is soppy and sentimental but the illustrations are vivid and active.
Illustrated by Barbara Lavalle, each page has something interesting happening on it. A friend took the spine off both books and re-bound them with coil stuff. They will lie nice and flat when I work on them.
This is the page spread that sold me. These two animals are so irresistable.
Rosie's Hat was also chosen more for its illustrations by Anna Currey. Rosie's hat blows away and is part of other people's adventures. As an adult firewoman, Rosie finds her hat again.
There is a third little book that is meant for as a gift for a person who reads this blog, so I can't share it until it is done. Don't all get excited, it will take ages to complete.
Some free motion lace embroidery is part of the third book. I am stitching small areas with white coton a broider thread, adding bits of lace and smooshing things together to get texture.
It is meditative work, but kind of crazy, since the details sometimes need an arrow pointing the way. My photographic work has stalled. The lovely background surface won't stay adhered to the door's back. I don't want any screws or other devices to show. We are pondering what to do.
Each of has chosen a book or two that have interesting images to play with. I have chosen two children's books, Mama, do you Love me? by Barbara M. Joose. The story line is soppy and sentimental but the illustrations are vivid and active.
Illustrated by Barbara Lavalle, each page has something interesting happening on it. A friend took the spine off both books and re-bound them with coil stuff. They will lie nice and flat when I work on them.
This is the page spread that sold me. These two animals are so irresistable.
Rosie's Hat was also chosen more for its illustrations by Anna Currey. Rosie's hat blows away and is part of other people's adventures. As an adult firewoman, Rosie finds her hat again.
There is a third little book that is meant for as a gift for a person who reads this blog, so I can't share it until it is done. Don't all get excited, it will take ages to complete.
Some free motion lace embroidery is part of the third book. I am stitching small areas with white coton a broider thread, adding bits of lace and smooshing things together to get texture.
It is meditative work, but kind of crazy, since the details sometimes need an arrow pointing the way. My photographic work has stalled. The lovely background surface won't stay adhered to the door's back. I don't want any screws or other devices to show. We are pondering what to do.
Labels:
books.,
Karen,
karen ruane,
stitch,
stitching,
studio,
studio work
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